Honestly Kid

by Daniel Damkoehler

 

premature fiction

About William

Clara, his ex-wife, called him Will.

Hernandez (I’ll get to him later) calls him William.

Everyone else in town, at least those who knew him as a boy, call him Billy and there’s sim­ply no shak­ing them of it.

He never liked Billy, but he admits it feels too nat­ural to change now. William, on the other hand, appeals to his inner adult. The first per­son to ever refer to him as William was Mrs. Keith, his 6th grade teacher, who always expected more of him and, at age 92, still does. But for the last year or so, now liv­ing in the town where he grew up, only leav­ing the house for the chores of sub­sis­tence (mail, gro­ceries, car repair, etc), most of the time he feels again like the some­times shy, often mis­chevi­ous, and always unco­or­di­nated Billy.

It’s a fine retreat from play­ing Will, the quiet, sure-thinking, con­sid­er­ate, sen­si­tive, urban­ite, pseudo-yuppie with a seri­ous – some would say sour – raven-haired wife who evinced lit­tle or no inter­est in his ori­gins beyond their so-called comic/impossibly-rural anec­do­tal value. Billy boy, by con­trast, is divorced and the same strange and unthreat­en­ing kid in a 32 year old body. Billy never rats out the locals for the indis­cre­tions he seems always avail­able to wit­ness, but also almost never encour­ages their bad behav­ior. He is a good guy who some locals resent and even hate on prin­ci­ple and oth­ers like, sup­port, encour­age and help for the very same reason.

It’s as if peo­ple around town know that if Billy isn’t entirely right in his heart and mind they must bear some of the respon­si­bil­ity since they helped raise him. Mostly those are the old folks, dying off care­fully and qui­etly in front of their tele­vi­sions, bat­tered edi­tions of Reader’s Digest con­densed books open on their laps, hand-knitted afghans tan­gled at their feet, and moths bang­ing against the screens of nearby win­dows, want­ing only to finally ori­ent them­selves to the overly ornate table lamp moons that have so reli­ably shone light into these fad­ing lives. So, Billy’s defend­ers and apol­o­gists go one-by-one to their graves – the only ones who might remem­ber as well as Billy has for­got­ten, through one of old Doc Freud’s less-than-verifiable the­o­ries, what made him the unre­al­ized man he is now.