Honestly Kid

by Daniel Damkoehler

 

premature fiction

Before The County Arrived

After Mr. Sneed goes inside, Hernandez takes a new pack­age of yel­low crime scene tape from his car and marks a large rec­tan­gle around the body, loop­ing the tape around the thick branches of mature peach trees on one side of the dirt road and the green tips of the almond saplings on the other. Then he paces along the road oppo­site the body, try­ing to deci­pher the fresh­est tire tracks. It looks to him as though a truck stopped next to where the body lays. He walks around the body, care­fully look­ing for foot­prints other than his own or Mr. Sneed’s which come no closer than ten feet. He finds none. In fact, it looks to him as though some­one has inten­tion­ally wiped the ground clean around the body, maybe with a broom or piece of heavy cloth.

He looks more closely at the small body, both arms out stretched, face buried in its lap, legs and knees tucked under as though the boy had been kneel­ing. He can see only the ends of what must be one long deep slice across the boy’s throat, but even with­out mov­ing the body he knows that the clothes have no blood on them. The killing has taken place some­where else and then the boy brought here and arranged this way. He takes pic­tures of all this until his stom­ach turns.

He stands upright and takes a few steps back away from the body, tak­ing in what was still cool of the morn­ing air, look­ing around this spot. Why here? Then he sees some­thing in the mature orchard. Nothing mov­ing. Something in one of the peach trees. Nothing reflec­tive. Just some­thing out of place. He takes a step for­ward to find the right tree and bring it into focus. Two cars come up the dri­ve­way and turn down the road. They will stop at the yel­low taped perime­ter, but he needs to greet them. He’s the offi­cer on the scene. What is he see­ing? Maybe noth­ing. Probably noth­ing. He can’t even name it. It’s sim­ply wrong. A flaw in the fab­ric of this real­ity. He takes another step towards the orchard but in the cor­ner of his eye the first unmarked car from the county has stopped. Men are get­ting out. If he looks away he’ll for­get this prob­a­bly unnamed detail, this feel­ing of some­thing escap­ing him, like a road sign passed too quickly to read or the name of a child­hood friend. Someone speaks and he turns.

Mrs. Sneed is offer­ing the men cof­fee. She car­ries a sil­ver per­co­la­tor pot in one hand and sty­ro­foam cups in the other. She won’t move more than a few steps past her back porch. Hernandez glances back at the tree, looks down at his feet to see where he is stand­ing. Why is he here? Nothing. Just the stress of the sit­u­a­tion or some­thing. He turns the dig­i­tal cam­era off and goes to greet the county homi­cide inves­ti­ga­tion team.

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