Honestly Kid

by Daniel Damkoehler

 

premature fiction

Drying Off

By the time Hernandez gets back to his squad car, the lower half of his pants are dry. He bags the knife he found in the canal gate as evi­dence. He makes notes for the report he will have to file on its dis­cov­ery, try­ing to come up with a plau­si­ble expla­na­tion for the way he found it as he does.

Investigating likely routes into the Sneed farm by sus­pect or sus­pects or any who may have aided in the muti­la­tion and later place­ment of the Gabriel Velasquez’s body… likely route to the body’s ulti­mate loca­tion would have taken the dri­ver of the vehi­cle through the orchard – back­track­ing this route, came to canal bank… there, stopped car to look for tire tracks up or down the bank that might resem­ble those truck tire tracks found near vic­tim… walked canal ser­vice road in search and stopped at irri­ga­tion gate (get num­ber) where some­thing caught my eye…

Something caught my eye? Better come up with some­thing bet­ter than that for court.

At this point, Brenlee’s mid-day siren goes off. Noon. His sched­ule is com­pletely blown. This whole side trip to the Sneed’s and the swim in the canal has used up his morn­ing. He puts his note­book aside, but­tons his uni­form (decid­ing not to tuck it into the still wet waist­band of his pants) and straps on his belt with radio, flash­light, small first aid kit, and gun. He puts on his shoes and takes a last look around the imme­di­ate area. This must be where the killer came down from the canal access road.

He pulls the car up the steep embank­ment, bot­tom­ing out, but mak­ing it and dri­ves to the irri­ga­tion gate where he found the knife. It’s num­ber is just barely leg­i­ble in the cement box, 092 B.I.D. Hernandez jots down the num­ber in his notes and dri­ves along the canal bank until it inter­sects with Quarry Road. He won­ders if he should con­tinue along the canal bank or turn right and head back into town to put on a dry pair of pants.

He picks up the radio to check in with Winnie when he hears a loud, slightly mud­dled sound­ing, pop – a shot­gun. A few hun­dred yards in front of him, a small flock of mud swal­lows swirls up into the sky head­ing to his right and away from the direc­tion of the shot. The squad car clunks into Drive and rolls down the easy grade to Quarry road. Down on the back top road for a brief moment he feels how low the val­ley really is, earth and all her crea­tures at the mercy of the tallest things here, the trees. We are held in their shadow. He dri­ves quickly up the grade on the other side of the road to rise up those few feet of the embank­ment and regain some sem­blance of com­mand over the area. Proceeding cau­tiously, Hernandez reminds him­self that, tech­ni­cally, fir­ing a gun is no crime out here on the edge of town. Farmers do it all the time, rid­ding them­selves of squir­rels, skunks, and unwanted birds.

His squad car rounds a bend in the canal, turn­ing in the direc­tion of an old, defunct metal wind­mill pok­ing up out of the orchards to his left. He hardly notices the wind­mill because parked there on the access road in front of him is one of Brenlee’s two other squad cars. He speeds over to the car, but before he can radio in his posi­tion, over­hears Plaster’s call in to Winnie. It’s a 914s. Suicide.

Then another of today’s strange thoughts, none of them com­ing in ways he is famil­iar or com­fort­able with think­ing, passes into Hernandez’s mind: Too much blood runs for this water.

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